Author

Akram H. Shalghin

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Open access Aug 2026

Performing Potency: Masculine Pride and the Refusal of Decline in Drama in English

This article examines how drama in English portrays men who anchor their self-worth to sexual potency and masculine performance, particularly when that confidence faces direct challenge or the quiet pressure of ageing. Through sustained close reading of Macbeth, Antony and Cleopatra, and Who’s Afraid of Virginia Woolf?...

Akram H. Shalghin · Humanities · 0 citations

Open access Sep 2026

Charity Under a Leaking Roof: Moral Discourse and the Child’s Eye in Dickens and McCourt

This comparative study examines the interplay between moral rhetoric and material deprivation in Charles Dickens’s Oliver Twist and Frank McCourt’s Angela’s Ashes. Focusing on scenes in which authority figures articulate ideals of charity, order, or progress while children endure immediate neglect, the article argues t...

Akram H. Shalghin · Humanities · 0 citations

Open access Aug 2026

Are We the Good Guys? Moral Ambiguity and Survival in McCarthy, Camus, and Saramago

This comparative study examines the erosion of ethical certainty under conditions of extreme scarcity and institutional collapse. Focusing on Cormac McCarthy’s The Road (2006), Albert Camus’s The Plague (1947), and José Saramago’s Blindness (1998), the article argues that these narratives dismantle the moral binary of...

Akram H. Shalghin · Literature · 0 citations