La ricerca indaga il ruolo dell'intelligenza artificiale (AI) nelle moderne pratiche compositive, con particolare attenzione a due casi di studio: Convergence (2020/21) di Alexander Schubert, per Ensemble d'archi e sistema AI, e In Human Memories (2024) di Francesco Vitucci, per quattro violoncelli ed elettronica, la c...
Francesco Vitucci, G. Silvi, Francesco Abbrescia et al.· Ex Chordis· 0 citations
Markov models are established tools for symbolic music, including non-homogeneous formulations. The narrower contribution examined here is an observation-driven estimation mechanism: overlapping sliding windows derive a trajectory of local transition kernels from one symbolic sequence rather than from an exogenous form...
Francesco Vitucci, M. Lorusso, Francesco Scagliola· 0 citations
LETHE (Latent-parameter Evolution with Temporal Hierarchical quasi-Equilibrium) is a self-referential sonic-oblivion system implemented in SuperCollider. It adopts the formal vocabulary of Generative Adversarial Networks in a closed configuration without external datasets or supervision after initialization. Audio is p...
Francesco Vitucci, Anthony Di Furia, Francesco Scagliola· 0 citations
The process of building analytical evaluation tools, as well as practical implementation, at the basis of a conscious study path is illustrated, starting from the case study of Manfred Schroeder's historical reverbs.
Francesco Vitucci, G. Silvi, Daniele Giuseppe Annese et al.· 0 citations
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