Gabriel-S. Crișan

Spațiul teatral și fantoma extensiei. Prolegomene la o topologie a ne-locului ca heterotopie a apariției pure.

This study undertakes a phenomenological-topological re-reading of theatrical space through Nishida Kitarō’s concept of basho (場所, place), as articulated in the 1926 essay “Basho” and the later triad surrounding “The Intelligible World.” Against the substance-metaphysics of the Western tradition – which has obsessive...