George E. Lewis

CHAPTER 4 From Network Bands to Ubiquitous Computing: Rich Gold and the Social Aesthetics of Interactivity

stallation and performance-in single and multiple participant, discrete and distributed modalities" (401).Recent new media histories (see Chandler and Neumark 2005; Salter 2010) have implicitly challenged the field's conventional wisdom that traces the origins of interactive computer-based art making to the mid-1980s.A...