Jing-Yang Zhan

From Literary Subject to Cinematic Object: Wang Qiyao's Cross-Media Adaptation of The Song of Everlasting Sorrow

This paper examines the transformation of female subjectivity in the cross-media adaptation of Wang Anyi's The Song of Everlasting Sorrow, with particular attention to the transition of Wang Qiyao from a literary subject to a cinematic object. Through close textual analysis and feminist film theory, especially Laura Mu...