Lost in Domestication: Arabic Subtitling Norms and the Suppression of Feminist Critique in Casino (1995)
This study examines how the Arabic subtitle track of Martin Scorsese's 1995 film 'Casino' (henceforth, Casino) reconstructs gendered discourse of the film. The film dialogue, which deploys misogynistic epithets, sexualized commands, and hypermasculine threats as a vehicle of social critique rather than as gratuitous em...