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N. Milić

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Open access Oct 2026

Konstrukcija Drugosti i socijalno-ontoloških granica u filmu Avatar: put vode

Using a three-part ethnographic approach – combining production analysis, narrative interpretation, and reception studies – this paper examines James Cameron’s Avatar: The Way of Water (2022). Grounded in theories of representation and social ontology, the study analyzes how the sequel negotiates the dichotomy between...

N. Milić · 0 citations

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