In her novel, The Forest of Enchantments (2019), Chitra Banerjee Divakaruni provides an updated retelling of the ancient epic Ramayana through the voice of Sita, who emerges as a self-sufficient, contemplative, and hardworking protagonist. Despite its status as a feminist retelling of the original story, surprisingly,...
A. Salunke, N. Patel, Anjali Kumar et al.· RESEARCH HUB International M...· 0 citations
Contemporary Indian fiction increasingly represents women as active subjects who negotiate, challenge, and resist patriarchal structures rather than merely experiencing them as passive victims. This paper examines women's agency through violent and non-violent forms of resistance in selected contemporary Indian fiction...
N. Patel, Ila Rathore, Jadhav Saurabh Maruti· International Journal of Eng...· 0 citations
This paper makes a comparison between Amitav Ghosh's The Shadow Lines and Kazuo Ishiguro's The Remains of the Day to explore how cultural memory and inherited history influence individual identity in the wake of empire. Both narratives are retrospective and first-person; both are journeys, and both characters have to d...
Nilanjona Mukherjee, S. Gadekar, Carmeline Sequeira et al.· Adolescência e Saúde· 0 citations
This study undertakes a comparative postcolonial feminist analysis of four Indian English novels, namely Namita Gokhale's Things to Leave Behind and The Blind Matriarch, and Githa Hariharan's Almost Home: Cities and Other Places and I Have Become the Tide. Drawing on the postcolonial feminist thought of Spivak, Mohanty...
N. Patel, A. Salunke· Multidisciplinary Journal· 0 citations
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