Nathan Clark

The Autotheorizing Sinthomosexual: Transitional Subjectivity within Geoffrey Hendricks’s Ring Piece and the Conditions of 1960s Intermedia Practice

In 1971, at the Armory Show in New York City, Fluxus artist Geoffrey Hendricks sat on a mound of dirt, writing in his diary over the course of twelve hours. Titled Ring Piece, Hendricks wrote about his experience coming out as a queer man follow-ing his divorce, which, too, was a performance. In the 1960s-1970s, there...