Intersecting Women’s Identities, Injustice, and Resistance to Power Structures in Ritwik Ghatak’s Partition Trilogy
This article examines the three women protagonists of Ritwik Ghatak’s Partition Trilogy through intersectionality and Collins and Bilge’s four domains of power. Comparative close readings of Meghe Dhaka Tara (1960), Komal Gandhar (1961), and Subarnarekha (1965) consider how displacement interacts with gender, class, ca...