S. Saha

(Class)ifying the Queer in India: Reading the Intersection of Class with Sexuality in the Bengali Film Arekti Premer Golpo (2010)

This article examines how class structures queer visibility in Kaushik Ganguly's Arekti Premer Golpo (2010). Building on scholarship that has already identified the film's classed contrast between the urban filmmaker Abhiroop and the materially precarious former female impersonator Chapal Bhaduri, it places that inequa...