This paper examines the transformation of English language and literary studies within the framework of Digital Humanities, focusing on the impact of digital communication and Artificial Intelligence (AI) on language practices, authorship, pedagogy, and professional pathways. It argues that contemporary linguistic environments—shaped by social media, multimodal communication, and AI-driven language tools—have fundamentally redefined the nature of language and writing. Drawing on sociolinguistic and multimodal frameworks, the study explores linguistic innovation, hybridity, and code-mixing in multilingual contexts such as India, where practices like Hinglish, emoji use, and platform-specific discourse reshape communicative norms. The paper further analyses AI technologies, including grammar checkers, predictive text systems, and generative tools such as ChatGPT, demonstrating how writing shifts from a cognitive process of composition to one of prompting, generation, and curation. Engaging with the work of David Crystal and Naomi S. Baron, it highlights both the creative adaptability of digital language and the risks of reduced cognitive engagement. The paper proposes prompt engineering as a new form of academic literacy and argues for a pedagogical shift that integrates multimodal analysis, AI-assisted writing, and structured prompt design. It further demonstrates how these transformations open new career pathways in corporate and technology-driven environments, necessitating curriculum redesign and practice-oriented instruction. Ultimately, the paper positions AI as a transformative force that requires new models of language education aligned with both intellectual and professional futures.
Suhaile Azavedo· International Journal of Eng...· 0 citations
Creative writing pedagogy has often privileged imagination as the defining characteristic of storytelling. Yet many young writers struggle not because they lack imagination, but because they believe they have nothing worth writing about. This paper proposes a pedagogical model that repositions observation, critical thinking, empathy, and structured inquiry as the true foundations of world-building. Drawing on a story-building workshop designed for middle-school students, and grounding its design in narrative psychology, structuralist and post-structuralist narrative theory, cognitive research on attention and creativity, and sociocultural learning theory, it argues that effective storytelling begins with learning to notice the world before attempting to invent new ones. The workshop integrates literary theory, cognitive observation, narrative analysis, collaborative exercises, and current discussions on artificial intelligence to demonstrate that stories emerge from attentive engagement with reality rather than unrestricted fantasy. Rather than teaching creative writing as a collection of technical skills, this approach frames telling stories as a human act of meaning-making, ethical reflection, and imaginative reconstruction, and it proposes a theoretically informed alternative to imagination-first models of creative writing instruction.
Suhaile Azavedo· International Journal of Eng...· 0 citations