TTM-Bench is introduced, a framework that defines a common protocol for systematic, reproducible performance benchmarking of contemporary TTM systems and shows that higher musical-content alignment does not systematically coincide with lower computational demands, highlighting the importance of assessing TTM performance through distinct, interpretable measures rather than a reductive overall indicator.
Abstract
Text-to-music (TTM) systems are increasingly used to generate musical audio from natural-language descriptions. Robust evaluation is therefore essential, yet reliable performance comparison remains challenging. This difficulty stems from differences in system architecture, supported conditioning information, and access mode, as well as heterogeneous and fragmented metrics that cannot be applied uniformly across systems. To address these challenges, we introduce TTM-Bench, a framework that defines a common protocol for systematic, reproducible performance benchmarking of contemporary TTM systems. It evaluates performance along two dimensions: musical-content alignment, quantified by interpretable semantic, genre, and musical-descriptor agreement scores against a common musical specification and summarized by an aggregate score; and computational efficiency, characterized by generation latency and real-time factor, alongside resource use for local models and cost for hosted services. We demonstrate the framework through a preliminary comparative case study, illustrating the complementary evidence captured by these dimensions. The results show that higher musical-content alignment does not systematically coincide with lower computational demands, highlighting the importance of assessing TTM performance through distinct, interpretable measures rather than a reductive overall indicator.
Music-understanding benchmarks should identify both the evidence available to a model and the operations a correct answer requires. We introduce HMU-Bench, a bilingual benchmark with notation and audio components. ABC Q&A contains 1,029 Chinese-English question pairs across six musical domains, labeled as extraction, s...
Zhe-Qi Dai, Bo-Yang Wang, Zhi-Yue Wu et al.· 0 citations
MuNo-SP (Music Notation unifying Score and Performance), a text-based representation that jointly encodes score content and performance information, is introduced and an automatic training-data generation pipeline is developed that uses aligned scores and performances to produce long-form auditory analyses and musicall...
Milan Liessens Dujardin, Song Yu, Kevin Miao· 0 citations
State-of-the-art text-to-music models increasingly rely on scaling model capacity, data, and compute, while still learning musical structure directly from dense audio. Yet melody, rhythm, harmony, and structure can be represented compactly in symbolic form. We introduce MIDI-REPA, a representation-alignment framework t...
Song Yu, Fang-Duo Tsai, Yi-Hsuan Yang· 0 citations
The results provide compelling evidence that the CLAP score and related metrics do not capture fine-grained musical meaning or attribute bindings; their representation is closer to a bag-of-words that leaves them insensitive to meaning-changing perturbations of the caption.
MuLA-Bench exposes conditional failure patterns that a single long-context score does not capture, and evaluates ten audio-language models and conducts pooled diagnostics on a fixed eight-model cohort.
Ze-Yu Yang, Xin-Yu Zhang, Zi-Bo Bi et al.· 2 citations
Symbolic models make melody, harmony, rhythm, and form explicit but typically stop before a finished recording; audio models produce complete songs while leaving composition implicit. We introduce YuE2, which unifies symbolic and audio music generation at frontier quality through symbolic planning. A single AR-NAR Mixt...
Rui-Bin Yuan, Jia-Hao Pan, Jun-Yan Jiang et al.· 1 citation
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