Aug 2026· Social sciences and humanities· Vol 5, pp. 103· 0 citations· 7 references
TL;DR
This study takes the stability test video of Unitree's G1 humanoid robot on Douyin as a focal case, and uses large language model‑assisted inductive qualitative coding to analyze highly‑liked comments and their secondary replies, revealing that the robot's victim identity is collectively produced by commenters through self‑experience projection and reuse of existing discourses in ongoing interactions.
Abstract
Existing research on robot abuse and mind attribution has largely employed experimental methods focusing on individual responses, with less attention to how such responses continuously diffuse into public meaning through real platform interactions. This study takes the stability test video of Unitree's G1 humanoid robot on Douyin as a focal case, and uses large language model‑assisted inductive qualitative coding to analyze highly‑liked comments and their secondary replies. The findings reveal that although the video itself presents a technical performance test, the meaning‑making in the comment section almost completely bypasses the technical dimension. Commenters, through self‑reference, associate the robot with their own childhood, family, and other life experiences, endowing it with subjective experiential capacity beyond its technical attributes; among these, the interaction chain framed by childhood experiences is the largest and most influential. Concurrently, existing public discourse resources on the platform, such as school bullying, elder abuse, and animal protection, are repeatedly invoked and grafted onto the robot, elevating individual emotions into a public victim narrative. Based on these findings, this study proposes a three‑layer analytical framework of "video presentation—comment interaction—public discourse," revealing that the robot's victim identity does not originate from its own properties or the video content, but is collectively produced by commenters through self‑experience projection and reuse of existing discourses in ongoing interactions.
Soundboard-based augmentative and alternative communication (AAC) with domestic dogs is now culturally visible, with some widely circulated videos reaching very large audiences while public interpretation often outruns empirical evidence. As citizen-science cohorts associated with soundboard platforms and large-vocabul...
François G. Wayenberg· Frontiers in Animal Science· 0 citations
This study aims to explore the unique elements in the imagery and story design of Labubu, a popular blind box character, and how these elements evoke emotional resonance in consumers through the lens of animistic psychology. The research employs a comprehensive approach, utilizing a questionnaire survey (n = 100) to in...
Zehan Zou· Journal of Education, Behavi...· 0 citations
Autobiographical remembering supports identity, well-being, and social connection in later life, yet voice-based memory technologies largely rely on isolated prompts. We designed and built MeBo, a fully functional relational voice-based memory companion, through participatory design with 11 older adults. Their accounts...
Hasibur Rahman, Mahsa Nasri, M. Vaidya et al.· 0 citations
Social robots (physically embodied systems designed to interact with humans through social behaviours) have gained increasing visibility in news media. However, their everyday presence in Latin America remains limited, reflecting broader asymmetries in technological diffusion across non-WEIRD contexts. This study exami...
Iliana Ferrer, Leonor Balbuena, O. Miranda-Villanueva et al.· Media and Communication· 0 citations
Social robots have been widely explored as tools for autism intervention, yet this literature has focused predominantly on children and has rarely involved autistic adults as active contributors to design. This creates a mismatch between existing systems and the social-cognitive challenges autistic adults actually face...
Yuval Zohar, Mordi Benhamou, Guy Laban· IEEE International Symposium...· 0 citations
It is argued that AI-driven “style replication” is fundamentally a negotiation of social relations, one that recentres platform power and reorganises the conditions of human-AI collaboration.
Meng Liang, Fang-Zhou Zhang· Media, Culture & Society· 3 citations
We use cookies to run the site and, with your consent, for analytics and to show ads.
See our Cookie Policy.