Combining a series of interviews with creatives about how their work presents as activism with collaborative autoethnographic responses from the editors, this book demonstrates the power and evolution of autoethnography, as a form of both art and advocacy.With the interviews centring the work of artists, writers, a filmmaker and a printmaker as they challenges issues surrounding the environment, ageing, wellbeing, poverty, diversity and health, Jess Moriarty and Christina Reading put these ideas into a dialogue with a wide-variety of their own critical-creative responses, offering up methods of collaborative autoethnography and models for writers, students and practice-based researchers on how they can develop their own work as activism. Working to resist the criticism that autoethnography is inward-looking and narcissistic,Arts-Based Activism and Collaborative Autoethnographyweaves together collective voices raised within the arts and activism that are more nuanced and multilayered than single voices alone. Engaging, readable and dynamic, this book is a champion of and an essential exploration of autoethnography, qualitative inquiry, social activism, arts-based scholarship and research.
This research examines the ways that Indonesian artists and activists resist authoritarianism through organized and everyday acts of resistance. Using a multidisciplinary approach, it explores how artists challenge dominant narratives surrounding the 1965 killings, patriarchal influences, and corporate-driven environme...
Shelly Clay-Robison· Journal of Resistance Studie...· 0 citations
This article examines co-creative engagement with sacred art, focusing on the TheoArtistry initiative at the University of St Andrews and live interview responses at the Festival of Sacred Arts (FSA) during the 2021 and 2022 Edinburgh Fringe. TheoArtistry pairs artists with theologians and biblical scholars to create w...
This article examines youth-led participatory filmmaking as a form of creative activism, care and situated media production within the UKRI-funded ATTUNE project, which explored the impact of adverse childhood experiences (ACEs) on young people’s mental health. While participatory media methods are often presented as e...
S. Batool, Paul Cooke, Kier Harris· New Cinemas: Journal of Cont...· 0 citations
It is argued that GenAI should not be viewed merely as a neutral tool but as a mediating presence that reshapes the conditions under which knowledge is produced.
Prokopis A. Christou· The Qualitative Report· 0 citations
This article draws on disability justice ethics and an intersectional feminist politics of listening to critically reflect on the use of creative methods in collaborative enquiry and community-engaged research. It examines the methodological possibilities of voice-notes – short, recorded audio memos – as a creative, re...
P. de Souza· Journal of Creative Research...· 0 citations
The convergence of current crises sometimes called a polycrisis heightens our awareness that many of our institutions are not well. In this paper, we examine how creative, art-based practices can open up spaces for students and us to find meaning, connection, and agency in these difficult times. PAR is the foundation o...
Rachel Kulick, R. Radina, Konstantinos Sipitanos et al.· Journal of participatory res...· 0 citations
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