Sep 2026· Bulletin of Brusov State University· 0 citations
Abstract
This article presents a comparative linguistic and cultural analysis of the
concept of “fate/destiny/luck” in Armenian, English, and Chinese. The study combines an analysis of the lexical-semantic field, idiomatic expressions,
literary and religious discourse, and everyday language use in order to reveal
how different cultures conceptualize and interpret destiny through linguistic
means.
The analysis demonstrates that Armenian concepts under study combine
folk beliefs with notions rooted in Christian providence and literary traditions
that portray suffering, survival, and historical experience in an integrated
manner. As a result, destiny in Armenian discourse often appears not only as
an individual experience but also as a communal and moral category. English,
by contrast, tends to distinguish semantically between concepts such as “fate,”
“destiny,” “luck,” “success,” and “providence,” assigning them to different
registers, including secular, romantic, and philosophical discourse. In Chinese,
the concept of destiny is understood as the interaction between personal agency
and cosmic order, shaped by social influences and moral principles.
The term "Haykabanutyun" often comes across in scientific literature and fiction. The concept of "Haykabanutyun," however, hasn't been defined so far and we cannot explain what did Haykabanutyun/Haykaban specifically mean.
The author tackles this concern in this article, based on diverse dictionaries and other sources....
In Vedic literature, the concept of the Sun is not merely a natural phenomenon but a symbol of knowledge, time, motion and cosmic order. The metaphor found in Rigveda hymn 1.164 — a one-wheeled chariot, a horse with seven names, and the number seven — is interpreted in later traditions as the seven horses that draw the...
பா மகேசுவரி, முனைவர் மு விஜயகுமார், வெ ச. சீனிவாசன்· Tamilmanam International Res...· 0 citations
The Seishun Buta Yaro series employs the supernatural concept of “Adolescence Syndrome” as its central narrative device, transforming the psychological conflicts that adolescents struggle to articulate into visible and tangible phenomena. Drawing primarily on psychosocial developmental theory, object relations theory,...
The article examines the structural-semantic, pragmatic, and cognitive features of the Kazakh paremia “Zhaqsy eneni zhaman kelin zher qylady, zhaqsy kelin zhaman eneni el qylady.” The study aims to identify how the proverb encodes ideas about family relations, social reputation, the evaluative opposition of good and ba...
K. Kenzhalin, Айгерім Габитова· BULLETIN OF SHAKARIM UNIVERS...· 0 citations
Kuruntokai, the second anthology among the Eight Anthologies (Ettuthokai) of Sangam literature, is a remarkable collection of short poems dealing exclusively with akam (interior/love) experience. Comprising roughly 401–402 poems ranging from two to ten lines, the anthology renders the subtle dimensions of human emotion...
தமிழரசி க· Tamilmanam International Res...· 0 citations
This article examines montage as a fundamental narrative principle of
postmodern fiction. Drawing on Jean-François Lyotard’s critique of
metanarratives, David Harvey’s analysis of postmodern fragmentation, and
Jacques Derrida’s theory of collage, the study argues that postmodernism does
not eliminate narrative but radi...
Mariam Vanyan· Bulletin of Brusov State Uni...· 0 citations
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