Aug 2026· Feminist Theory· 0 citations· 23 references
Abstract
The idea that there is a power-laden tension between academic and experiential knowledges is widely known and well rehearsed. It circulates in both social movement spaces and society at large. But how is it that the same story about ‘real-world experience’ vs ‘academic’ theory can serve as a foundation both for a defence of trans people's authority over their own lives
and
for a dismissal of their calls for inclusive language as ivory-tower nonsense? In this article, I take the case of LGBTIQ* movements in Austria as an example to trace stories that link epistemic and political claims as a ‘common ground’ on which divergent and even contradictory claims can be built regarding what constitutes legitimate knowledges and legitimate politics. Drawing on Michel Foucault’s notion of the polyvalence of discourse and Clare Hemmings’ suggestion that stories can function as the ‘political grammar’ of social movements, I examine how three key stories – about theoretical versus experiential knowledge, the importance of listening to marginalised positions and the tension between radicalism and pragmatism – entangle epistemic and political norms and operate as a shared yet contested ‘common ground’. They provide a ‘common’ narrative infrastructure that can be gestured towards in making claims about knowledges and politics. These epistemic-political stories appear self-evident, but their content remains indeterminate until articulated within specific power relations and contexts. It is this common ground that makes it possible for actors to move through contested terrain, even as it is its very commonality that opens it up to contestation.
This volume brings together reflections on the relationship between politics and storytelling, especially within the democratic context. Examples are drawn from the ancient and modern worlds, from classical Greek tragedy and Shakespeare to television, science fiction, and comic books, in order to examine the relationsh...
Abstract This article examines how audiences use serialized science fiction as a shared framework for reasoning about contemporary politics. We focus on the Star Wars series Andor (2022–2025), which depicts empire as a bureaucratic process rather than an archetypal battle, supplying transferable institutional mechanism...
Eunji Kim, Isabella Marin Quintero· The Forum· 0 citations
ABSTRACT This paper explores how policy discourse is constructed, circulated and transformed within social media networks. Drawing on sentiment analysis of over 35,000 tweets authored between 2019 and mid-2022, we examine how the 2011 ‘Gonski report’, which recommended a more equitable and transparent school funding sy...
Sabrina Mahfouz’s
A History of Water in the Middle East
begins with a self-reflexive passage that establishes the play’s peculiar form, a lecture. Her choice of aesthetic frame and discussion of climate change resonate with an earlier such lecture play at the Royal Court, Stephen Emmott’s
Ten Billion
. Both aut...
The framework that the researcher operates with in this study synergises narratology, critical discourse analysis, a naming-in-discourse-historical approach, and Stylistics to critique Nobody's Story (1854) by Charles Dickens. An analytical study specifically concerning Dickens' use of narrative voice and name-words, t...
Khalid Jabir Hani· International Journal of Soc...· 0 citations
What counts as political knowledge, and who decides? This article takes this question seriously by examining how Sudanese women’s practices of remembering wartime sexual violence, such as oral testimony, collective witnessing and storytelling through grief, have been systematically treated as threats to national stabil...
Lynnette Ng, Kaya Dupuis· Pluriversal International Re...· 0 citations
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