Aug 2026· American Journal of Cultural Sociology· 0 citations· 38 references
Abstract
The climate crisis not only transforms ecosystems but also reshapes collective imaginaries of the future. While climate fiction (cli-fi) has emerged as a crucial site where societies process the unprecedented challenge of climate change, sociological approaches to emerging literary future imagination remain underdeveloped. Integrating Alexander's theory of iconicity with Mandich’s regimes of engagement with the future, this article conceptualizes cli-fi as a cultural form in which social and aesthetic dimensions converge, and where iconic condensations of meanings and affects are produced by various literary devices. We propose the concept of
temporal regimes of iconic engagement
to analyze how such aesthetic devices—e.g., narrative structures, stylistic choices, and temporal framings—produce several orientations toward climate uncertainty which are salient at the level of form and feeling. Empirically, we examine a corpus of 50 cli-fi novels published on the Italian market between 1990 and 2024, treating Italy as a strategic site that condenses a wide range of narrative strategies—from techno-scientific thrillers to solarpunk imaginaries. The results identify five macro-typologies of climate fiction books, where each deploys distinctive iconic devices to stage specific temporal regimes of engagement. We argue that climate fiction operates as a performative cultural form whose aesthetic devices are structured so as to stage imaginaries of possibility, responsibility, and hope. In doing so, our study advances general sociological theory by extending cultural sociology to the analysis of how symbolic forms iconically stage collective orientations toward uncertain futures.
The global climate crisis, one of the most pressing challenges of our era, reverberates across scientific, cultural, and artistic domains. Cinema is frequently enlisted to make the climate crisis perceptible and intelligible at the societal scale. In this context, the article examines the Oscar-winning animated fil...
Fazıl Akdağ· Humanities and Social Scienc...· 0 citations
This research paper examines the intersection of ecocriticism and climate fiction (cli-fi), tracing the theoretical evolution of ecocritical thought and its application to a burgeoning literary genre that has emerged as a cultural response to anthropogenic climate change. The paper argues that cli-fi represents not mer...
Vikas Rathor· International Journal of Inn...· 0 citations
This study examines how the 2022 FIFA World Cup in Qatar functioned as a heterotopic space through which Middle Eastern and North African (MENA) identities were publicly articulated, negotiated and made visible. Drawing on Foucault's notion of heterotopia and Lefebvre's understanding of space as socially produced, th...
Ghufrane Daymi· Studies in Ethnicity and Nat...· 0 citations
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Liana M. Daher, G. Caruso, Giorgia Mavica et al.· Current Sociology· 0 citations
The study examines the semiology of language used in contemporary environmental posters and its role in creating persuasive meaning within the context of the Anthropocene. This study argues that language in environmental posters is not merely an explanatory aid, but a key semiotic instrument that interacts with images,...
M. Musa, M. Alafeef, Nashat Issa al-Khawaldah et al.· Theory and Practice in Langu...· 0 citations
Using a three-part ethnographic approach – combining production analysis, narrative interpretation, and reception studies – this paper examines James Cameron’s Avatar: The Way of Water (2022). Grounded in theories of representation and social ontology, the study analyzes how the sequel negotiates the dichotomy between...
N. Milić· Anthropology· 0 citations
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