Sep 2026· James Baldwin Review· Vol 12, pp. 218-227· 0 citations
Abstract
Focusing on Baldwin’s later works from the 1970s on, this article posits
that he began shaping an experimental nonfiction aesthetic that would allow him
to “sing” lyrically, diasporically, and discursively while
engaging in discourse with others. He improvised a means of enacting physically,
essayistically, and cinematically his brand of witnessing, a mode I call the
critical documentarian. Baldwin needed a structure capacious enough to express
both his lamentation concerning the murderous, premature closure of the 1960s
Black Freedom movement and his abiding hope in tangible, necessary
sociopolitical change in the US and the West, while, simultaneously, moving the
American language toward new territories of artistry. His approach in those
books eschews “mere” memoir in favor of elliptical, comparativist,
abstract analytical forms of personal essaying.
This essay is written as a tribute to James Merrill and Elizabeth Bishop arguing that the poetry they wrote in 1970s shows how lyric can be used as a rhetorical form through which not just to criticize but to refuse conventional narratives of historical continuity and accountability. The essay attempts to reawaken fo...
Peter Dimock· Twentieth Century Literature· 0 citations
This article examines the construction and persistence of Valeria Messalina’s reputation from antiquity to the present, focusing on mechanisms of sexual slander, character assassination, and narrative framing. Beginning with ancient historiography (e.g., Tacitus, Juvenal, Suetonius), the study shows how female sexualit...
In the minds of many critical theorists, Theodor W. Adorno epitomizes the failure of critical theory to provide any concrete guidance for political practice. His name is almost synonymous with the retreat of the progressive intellectual from the creeping totalitarianism of contemporary mass democracy. This book endeavo...
This essay makes an effort to rescue a completely forgotten novella from a German writer, Wilhelm Schäfer (d. 1952), who was, horribly dictu, a strong advocate for the Nazis at least until 1945. While fully acknowledging the highly problematic political background of the author, the analysis focuses on the intriguing a...
Albrecht Classen· Athens Journal of Philology· 0 citations
In the field of Borgesian literature, beyond certain brave and bellicose attitudes that have been interpreted as fully heroic, there exists another type of heroism, more unexpected and less overtly courageous, which wholly depends on discourse rather than on doing. This special kind of heroism may be understood, ac...
Juan Martín Vicente Giacoia, Felipe Rodolfo Hendriksen· Orbis Litterarum· 0 citations
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