This essay reflects on the themes, arguments, and creative process of my PhD thesis, an autotheoretical memoir exploring the experience of being neurodivergent, non-binary and closeted within Greek society. Drawing on a combination of creative and theoretical methodologies, I examine my lived experiences through a self-reflexive and analytical lens. This process unfolds through a dialogue with scholars, writers and artists who inspired my research and personal journey. I explore how experiences, feelings, bodily sensations, interpersonal interaction and community participation can be critically examined through autotheory. In doing so, I aim to illuminate aspects of Greek millennial, non-binary, and neurodivergent life. A central argument of my research is that coming out as a queer person is never an isolated personal choice, but is shaped by cultural, social, and familial contexts. Equally, choosing not to come out does not make someone less queer or less politically radical. In certain cultural settings, queer people must negotiate compromises in order to survive and make their lives livable, often realizing that what Lauren Berlant calls “the Good Life” remains unattainable. Finally, I reflect on the personal, academic, and political potential of autotheory for making sense of lived experience and resisting against systemic oppression.
It is argued that GenAI should not be viewed merely as a neutral tool but as a mediating presence that reshapes the conditions under which knowledge is produced.
Prokopis A. Christou· The Qualitative Report· 0 citations
Positionality
I write as a Brazilian feminist artist and researcher based at Edith Cowan University, whose practice moves between Brazil and Australia, and between the roles of photographer, participant, and subject: I photograph other people, and I also place my own body in the work. My earlier involvement with the co...
Patrícia Amorim da Silva· M/C Journal· 0 citations
This study examines theatre as a space of existential affirmation and transcendence, focusing on the tension between subjective experience and the search for meaning. Drawing on philosophical frameworks from phenomenology and existential thought, the article explores how theatrical creation negotiates the limits of rep...
This heartfelt retrospective autoethnography explores a personal episode of adolescence through the lens of ritual, memory, and symbolic interaction. At the age of 14, after returning to Italy following years abroad, I found myself on the margins of a gang of boys whose shared language, stories, and music represented t...
Drawing on Miranda Fricker’s account of testimonial injustice, this autoethnographic prose poem explores experiences of menopausal embodiment and medical consultation through an arts-based research lens. The prose poem form is used methodologically to represent the fragmentation, unpredictability and sensory intensity...
Partners' sexual pasts are often discussed in the literature through the concept of jealousy, typically framed as concerns about rivalry, threat or relationship insecurity. Although this perspective has generated valuable insights, it may not fully capture how such experiences are lived and negotiated within everyday...
L. Lorås, Jacob Cilius Vinsten Christiansen· Australian and New Zealand J...· 0 citations
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