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Essay and column: An attempt at demarcation of genres

2026 · Zbornik radova Filozofskog fakulteta u Pristini · 0 citations · 6 references

Abstract

This paper explores the relationship between the essay and the column—two forms that share important stylistic and conceptual affinities, but differ in several structural and functional aspects. Although the essay is the older and more established form, attempts to define it have proved inconclusive. From Montaigne’s initial gesture of self-examination to later reflections that highlight the essay’s fragmentary, exploratory, and provisional nature, the genre has consistently resisted closure. It draws on philosophical and scientific discourse without fully merging with either, combining personal reflection, intellectual investigation, and rhetorical flexibility in ways that challenge rigid taxonomies. The column, by contrast, is inseparable from the environment of the media. Its length, tone, and frequency are conditioned by the editorial framework of newspapers and online platforms. Technical constraints, deadlines, expectations of regularity, and the need to address a broad readership shape its form no less than the writer’s individual voice. This dependence on the medium represents the most stable line of distinction between the two genres. Both forms, however, allow for varying degrees of subjectivity. An analytical, distanced register may assume a knowledgeable reader and employ technical vocabulary, while a more personal mode foregrounds personal experience and narrative presence. A hybrid approach, common to many contemporary writers, combines subjective positioning with external references, quotations, or data. These modes do not determine whether a text is an essay or a column, but they help illuminate how each form negotiates the balance between argument and personal expression. The essay is often associated with openness and incompleteness, with an emphasis on the movement of thought rather than the finality of a verdict. The column, although capable of similar gestures, typically bears the imprint of topicality: it responds to current events and situates itself within an ongoing public conversation. Coherence in the essay is usually achieved within a single text, whereas the columnist may achieve coherence cumulatively, through a series of interventions that gradually outline a recognizable perspective.

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