Sep 2026· Etnoantropološki problemi / Issues in Ethnology and Anthropology· Vol 21· 0 citations
Abstract
This article examines conspiracy theories in Serbia as a structured cultural and discursive formation rather than as marginal or pathological beliefs. Drawing on anthropological and folkloristic approaches, conspiratorial narratives are conceptualized as forms of stigmatized knowledge that function as interpretative frameworks through which social actors make sense of uncertainty, power relations, and institutional distrust. The analysis adopts the concept of the conspiratorial milieu, defined as a dynamic configuration of actors, media infrastructures, and interpretative practices within which such narratives are produced, circulated, and legitimized. Methodologically, the study is based on a qualitative analysis of a heterogeneous corpus of media texts, popular publications, and digital content produced in Serbia from the beginning of the new millennium to the present. Building on Michael Barkun’s typology, it demonstrates that conspiratorial narratives operate along a continuum ranging from event-based explanations to systemic and superconspiratorial frameworks, thereby enabling the expansion and stabilization of broader worldviews. The Serbian case shows that conspiracy theories are not confined to the social margins but circulate across the porous boundaries between alternative and mainstream discourse. The article argues that the analytical relevance of conspiracy theories lies not in their truth-value but in their capacity to articulate competing regimes of knowledge and to mediate contemporary transformations in the relationship between media, power and social meaning.
Using taboo language is a powerful tool for expressing emotions, creating humor, and bringing people together, but it can also transgress and violate social norms and expectations. Since the impact of swearing depends largely on context, the acceptability of swearing must be considered in the context of particular cult...
Charvi Sharma· International journal of res...· 0 citations
This paper examines the transformation of Fantasy from a literary genre into a multisemiotic and technocultural practice, arguing that mythopoeia operates as a symbolic and epistemological matrix within contemporary digital culture. Drawing on J.R.R. Tolkien’s formulation of worldbuilding and myth-making, it proposes t...
In contemporary narrative studies, 'Durandhar: The Revenge' offers a rich site for semiotic exploration, where meaning is constructed through layered sign systems, cultural codes, and narrative oppositions. This paper undertakes a semiotic reading of the text, drawing on classical and post-structural frameworks to exam...
S. S. Bajwa· ACADEMICIA An International...· 0 citations
This article examines how the notion of Otherness is produced, negotiated, and contested within the encounter between the anthropologist and the informant. Drawing on postcolonial and cultural theory -notably the work of James Clifford, Homi Bhabha, Gayatri Spivak, Edward Said, Michel Foucault, and Clifford Geertz- the...
Omar ID Moulid· International journal of soc...· 0 citations
Introduction: The growing prevalence of precarity challenges Social Work to rethink its epistemological and ethical-political foundations. This research analyzes the sociopolitical culture of Baladre -Coordination of Struggles Against Precarity, Impoverishment, and Social Exclusion- a decentralized network of collectiv...
Enrique García-Escamilla· Trabajo Social Global· 0 citations
This article investigates the role of Arab folktales as dynamic social mirrors that reflect, negotiate, and contest the power structures of the societies from which they emerge. Drawing upon the foundational scholarship of Arab folklorists and literary critics, the study argues that the folktale tradition is not a pass...
I. Ouahchi· Historia scientiarum· 0 citations
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