Skip to content

“AS IT WAS IN ENGLAND IN THE EARLY 16TH CENTURY”: THE ENGLISH THEME IN S. VOLCHKOV’S COLLECTION OF FABLES

2026 · RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series · pp. 53-61 · 0 citations

Abstract

The article analyzes the translation of Roger L’Estrange’s collection of fables (“Fables of Aesop and Other Eminent Mythologists”), which was done by Sergei Volchkov, secretary of the Academy of Sciences, and published by him in 1747 under the title “Aesop’s Fables with Moral Lessons and Notes by Roger Letrange”. The article compares the final edition of the translation of the fables with Roger L’Estrange’s original work. In a number of cases, Volchkov’s source for the translation is also cited – the German edition of the English collection «Esopi Fabeln mit Herrn Roger L’Estrange Lehren und Anmerckungen aus dem Englischen übersetzt» (1714). Some of the L’Estrange’s fables contain a number of political allusions that are directly related to his biography. For example, they mention Cromwell, The Popish Plot, an attack on the Whig party, etc. When translating, Volchkov sought to convey the general essence of the certain plot lines in order to adapt the collection for a wide readership. In this regard, a separate topic touched upon in the article is the study of the peculiarities of the Russian translator’s work with foreign text, thanks to which it is possible to trace the origin of the changes that appear in the process of preparing the publication for printing.

View source

Similar papers

Open access 2026

Translations of A. S. Pushkin’s Works in Turkey. Part 2 (The Period from World War II to the Beginning of the 21st Century)

The article is devoted to an exploration of the translations and reception of A.S. Pushkin’s works in Turkey, spanning the period from the end of World War II to the dawn of the 21st century. The authors delve into the profound political, ideological, and cultural transformations within Turkey — including the military...

A. Avrutina, Sabri Gürses · 0 citations
Open access Sep 2026

M. I. Verevkin’s Translation of the Qur’ān (1790) — the Pearl of the Russian Enlightenment

   The study is devoted to M. I. Verevkin’s translation of the Qur’ān (1790) — a landmark work of the Russian Enlightenment that had a decisive infl uence on the reception of the Qur’ān in Russia in the late 18 th  and the first half of the 19 th  centuries. Based on the classic French edition of the Qur’ān by A....

D. Mukhetdinov · 0 citations
Open access Oct 2026

The Commentary as a Dialogic Thought-Form: origins and specifics (based on V.V. Rozanov’s Commentaries on the Translation of Aristotle’s «Metaphysics») Dedicated to 170th anniversary of the birth of Vasily Rozanov

The article examines the problem of the specificity of the commentary proper as a special thought-form. The features of Rozanov’s commentary on Aristotle’s “Metaphysics” are identified. The genre-specific characteristics of the commentary are analyzed, as well as its role in modern social media during the publication o...

I. A. Edoshina · 0 citations
Open access 2026

“To Search and Not to Find”: The Fate of a 19th-Century Man in V. F. Odoevsky’s “The Sylph”

The works of V. F. Odoevsky are interpreted primarily from the philosophical and aesthetic principles of Romanticism. This view, while valid, sometimes obscures and narrows the deeper meanings of the writer’s work, who sought to understand not only human nature as such, but also to reveal the state of mind, skepticism,...

Y. Sytina · 0 citations
Sep 2026

The “Enlightener” of St. Joseph of Volotsk in N.A. Rudnev's “History of Heresies and Schisms”. A Skeptic's View

The primary sources on the Judaizing heresy are the letters of Joseph of Volotsk and the “Book Against Heretics,” better known as “The Enlightener.” The different attitudes of researchers toward the testimony of Joseph of Volotsk determined their position on the Judaizing heresy. The tradition of skepticism toward the...

A. Alekseev · 0 citations
Open access 2026

The Polish Uprising of 1863–1864 in Literary Reflection: I. S. Aksakov’s Unknown Response to Ya. P. Polonsky’s Drama “Discord” in the Context of Its Creative History

Ya. P. Polonsky’s verse drama “Discord: Scenes from the Last Polish Uprising” (1864) had a paradoxical fate. It was highly praised by leading contemporary writers, but was unanimously dismissed by critics in leading journals as lacking aesthetic significance. This article provides the first comprehensive study of the w...

A. P. Dmitriev · 0 citations

We use cookies to run the site and, with your consent, for analytics and to show ads. See our Cookie Policy.