2026· RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series· pp. 53-61· 0 citations
Abstract
The article analyzes the translation of Roger L’Estrange’s collection of fables (“Fables of Aesop and Other Eminent Mythologists”), which was
done by Sergei Volchkov, secretary of the Academy of Sciences, and published
by him in 1747 under the title “Aesop’s Fables with Moral Lessons and Notes by
Roger Letrange”. The article compares the final edition of the translation of the
fables with Roger L’Estrange’s original work. In a number of cases, Volchkov’s
source for the translation is also cited – the German edition of the English collection «Esopi Fabeln mit Herrn Roger L’Estrange Lehren und Anmerckungen
aus dem Englischen übersetzt» (1714). Some of the L’Estrange’s fables contain
a number of political allusions that are directly related to his biography. For
example, they mention Cromwell, The Popish Plot, an attack on the Whig
party, etc. When translating, Volchkov sought to convey the general essence
of the certain plot lines in order to adapt the collection for a wide readership.
In this regard, a separate topic touched upon in the article is the study of the
peculiarities of the Russian translator’s work with foreign text, thanks to which
it is possible to trace the origin of the changes that appear in the process of
preparing the publication for printing.
The article is devoted to an exploration of the translations and reception of A.S. Pushkin’s works in Turkey, spanning the period from the end of World War II to the dawn of the 21st century. The authors delve into the profound political, ideological, and cultural transformations within Turkey — including the military...
A. Avrutina, Sabri Gürses· Vestnik of Saint Petersburg...· 0 citations
The study is devoted to M. I. Verevkin’s translation of the Qur’ān (1790) — a landmark work of the Russian Enlightenment that had a decisive infl uence on the reception of the Qur’ān in Russia in the late 18
th
and the first half of the 19
th
centuries. Based on the classic French edition of the Qur’ān by A....
D. Mukhetdinov· Islam in the modern world· 0 citations
The article examines the problem of the specificity of the commentary proper as a special thought-form. The features of Rozanov’s commentary on Aristotle’s “Metaphysics” are identified. The genre-specific characteristics of the commentary are analyzed, as well as its role in modern social media during the publication o...
I. A. Edoshina· Solov'evskie issledovaniya· 0 citations
The works of V. F. Odoevsky are interpreted primarily from the philosophical and aesthetic principles of Romanticism. This view, while valid, sometimes obscures and narrows the deeper meanings of the writer’s work, who sought to understand not only human nature as such, but also to reveal the state of mind, skepticism,...
Y. Sytina· Two centuries of the Russian...· 0 citations
The primary sources on the Judaizing heresy are the letters of Joseph of Volotsk and the “Book Against Heretics,” better known as “The Enlightener.” The different attitudes of researchers toward the testimony of Joseph of Volotsk determined their position on the Judaizing
heresy. The tradition of skepticism toward the...
Ya. P. Polonsky’s verse drama “Discord: Scenes from the Last Polish Uprising” (1864) had a paradoxical fate. It was highly praised by leading contemporary writers, but was unanimously dismissed by critics in leading journals as lacking aesthetic significance. This article provides the first comprehensive study of the w...
A. P. Dmitriev· Two centuries of the Russian...· 0 citations
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