Aug 2026· Natural Resources for Human Health· Vol 6· 0 citations· 4 references
Abstract
In Harry Potter and the Sorcerer’s Stone, the magical Mirror of Erised serves as a powerful symbol, providing readers with deep insights into the characters who interact with it. The inscription on the Mirror suggests that rather than simply reflecting individuals as they truly are, it reveals their strongest desires. In this book, both Harry Potter and Ron Weasley catch glimpses of their imagined selves, while Hermione Granger is excluded from this experience. This paper aims to explore Hermione's exclusion by envisioning her reflection in the Mirror, drawing inspiration from her characterization in the first five books. By utilizing the symbolism of the Mirror and its reflective properties, I will discuss Hermione's desires and how they shape her actions and responses to the world. This framework will facilitate a dialogue that centers on Hermione Granger, allowing for new interpretations of her character. My goal is to present vibrant and progressive representations of Hermione through feminist approaches to knowledge and critique. I am particularly interested in how Hermione's desires influence her behavior and interactions, especially considering her role as a gendered and racialized character within the adventure narrative, which creates complex desires that manifest throughout the text.
This article examines the symbolism of the mirror in Marguerite Porete’s Le Mirouer des simples ames and argues that the mirror does not function as an isolated metaphor of self-knowledge, but as the form of a mediation in which presence takes place through distance. Drawing on the French Chantilly manuscript, the stud...
A leading voice in contemporary pragmatism presents a 21st-century presentation and interpretation of the tradition from the point of view of oppressed populations.
Lee A. McBride III urges us to analyze the epistemological boundaries and intervening logics that ensnare us in this order of things and breach them. This...
Payal Kapadia's All We Imagine as Light moves from an observational encounter with Mumbai toward more character-bound forms of desire, memory, and imagination. This article defines that movement as “poetic transposition”: a social fact is carried into a new sensory or imaginative register while the constraint that orga...
Hong Qin· Critical Humanistic Social T...· 0 citations
Modern dramaturgy is often discussed through psychological frameworks, yet the theatrical imagination’s lineage can be traced to an older correspondence between human experience and spiritual thought. In other words, theatrical function has its origins as a conduit between the living and what lies beyond perception, in...
Near the end of Jean-Luc Nancy's Birth to Presence, Psyche is nearly inhumed in a coffin that the French philosopher leaves slightly open. This one-page scene retraces how an imagined colonial tradition can reduce Psyche to soul, Eros's lover, Aristotle's principle of animal life, and Freud's psychical apparatus. Asp...
M. Gamache· Differences. A Journal of Fe...· 0 citations
Abstract In this paper, I contribute to the field of design research by exploring the relationship between memories and imaginaries. By “feeling with the head and reasoning with the heart,” I used a sensory ethnographic method to listen to people’s life stories during my fieldwork in Bolivia. During my data analysis, I...
Simona Mancusi· Design and Culture· 0 citations
We use cookies to run the site and, with your consent, for analytics and to show ads.
See our Cookie Policy.