Aug 2026· Frontiers in Communication· Vol 11· 0 citations· 29 references
TL;DR
The results show that, while AI can optimize phases of the creative process, it also introduces significant risks related to the dilution of authorial responsibility, the reproduction of stereotypes and technological dependence in cultural industries.
Abstract
The increasing use of artificial intelligence (AI) systems in the writing of film scripts raises ethical questions relevant to contemporary cultural creation. This article analyzes these implications based on a critical review of academic literature, international regulatory frameworks, and analysis of three cases linked to generative tools applied to audiovisual narrative development:
Sunspring
(2016),
The Diary of Sisyphus
(2023), and
The Last Screenwriter
(2024). Using a qualitative approach, dimensions such as authorship, originality, algorithmic biases, transparency of creative processes and the work impact on professional screenwriters are studied. The results show that, while AI can optimize phases of the creative process, it also introduces significant risks related to the dilution of authorial responsibility, the reproduction of stereotypes and technological dependence in cultural industries. These issues require film-specific ethical governance, based on principles of human oversight, authorship recognition and accountability, to ensure responsible use of AI that preserves artistic integrity and the rights of creators.
It is argued that AI does not eliminate the author but redistributes authorial agency across socio-technical assemblages in which writers, models, interfaces, publishers, platforms, critics and audiences participate in the production of legitimacy.
This study examines how generative artificial intelligence (AI) transforms reality, evidence, and testimony in documentary cinema. It treats the 68-minute documentary Tütün Kokan Kadınlar (Women Who Smell of Tobacco) (Kuzucan, 2023), based on interviews with 22 women who worked in Gerze’s tobacco fields or at the Gerze...
Tuna Kuzucan· KADEM Kadın Araştırmaları De...· 0 citations
The rapid expansion of artificial intelligence in the field of digital humanities has opened new possibilities for preserving and accessing feminist literary archives. At the same time, it raises a pressing question: does AI serve as a tool of empowerment, or does it risk reinforcing existing inequalities in new forms?...
Seema Nigam, Rashmi Dubey· International Journal of Edu...· 0 citations
This paper analyzes the transformation of the creative logic in the cinematography of movies and TV shows in the era of generative artificial intelligence (GenAI). It stands as a clearly situated part of the arts of film and does not look at the subject from a computer-science perspective, but from an aesthetic theory,...
Yun-Tong Zha· Frontiers in Humanities and...· 0 citations
The paper concludes that conceptualizing AI as a medium enables a deeper understanding of contemporary communication processes and highlights the need to integrate ethical reflection into everyday communicative practices, with particular emphasis on transparency, accountability, and the protection of user autonomy.
I. Filipović· APPLIED MEDIA STUDIES JOURNA...· 0 citations
The findings indicate that these platforms do not eliminate creative agency but render it discursively ambiguous by offering users a symbolic creative subject position while obscuring the distributed agency underlying production.
Uğur Baloğlu· OPUS Journal of Society Rese...· 0 citations
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