This study aims to examine how narrative silence functions as a culturally productive interpretive strategy in Ismet Fanany’s short story Hadiah dari Rantau. Drawing on reader-response theory, it explores how textual gaps invite readers to construct ethical meaning through culturally situated frameworks rather than explicit narration. This study employs a qualitative interpretive design using close textual analysis. It integrates Iser’s concept of textual gaps and Fish’s notion of interpretive communities, with interpretation grounded in Minangkabau cultural concepts of rantau, malu, and adat. The analysis identifies three interrelated silences: the moral ambiguity surrounding Samsir’s overseas success, Khadijah’s restrained response to moral threat as an enactment of malu, and the narrative resolution through Khadijah’s marriage to Basir, which restores ethical order through adat. The study demonstrates that ethical meaning in the story emerges through readerly engagement with silence, contributing to reader-response criticism and Indonesian literary studies
Developed from the first author’s doctoral research, this article examines the literary organization of Surah Yusuf through a coordinated use of Aristotle’s Poetics, modern narratology, and Fairclough’s Critical Discourse Analysis (CDA). Scholarship has established the surah’s theological, rhetorical, linguistic, and n...
Res. Muhammad Alsayed Alsawey· Stardom Scientific Journal o...· 0 citations
This article argues that Hanan al-Shaykh's Women of Sand and Myrrh, Sahar Khalifeh's Wild Thorns, and Leila Aboulela's Minaret theorize gendered resistance as situated, everyday practices rather than singular acts of overt defiance. Reading the three novels through Chandra Talpade Mohanty's decolonized feminism, James...
O. A. Alkhamees, A. Z. Albasheer, Saud Rashad Alanazi et al.· Journal of Intercultural Com...· 0 citations
Feminist discourse occupies a vital place in Indian literature, offering a critical space to interrogate deeply entrenched patriarchal systems within Indian society. Voices, opinions, and ideologies historically suppressed by male-dominated social structures have increasingly found expression through literature, narrat...
Saima Amin· International journal of res...· 0 citations
The framework that the researcher operates with in this study synergises narratology, critical discourse analysis, a naming-in-discourse-historical approach, and Stylistics to critique Nobody's Story (1854) by Charles Dickens. An analytical study specifically concerning Dickens' use of narrative voice and name-words, t...
Khalid Jabir Hani· International Journal of Soc...· 0 citations
This study looks at a strand of Indonesian popular culture from the mid-1990s: comic strips that folded eschatological messages into their storylines. Images of heaven and hell became a central selling point, delivered through illustrated panels and short captions. Among the best-known titles from that era is Siksa Ner...
This study examines Soe Tjen Marching's Dari Dalam Kubur (From Inside the Grave) as a fictional narrative that functions as a counter-narrative to hegemonic identity politics in post-1965 Indonesia. The research background stems from the dominance of the official New Order narrative, which stigmatized certain groups—pa...