Sep 2026· ELS Journal on Interdisciplinary Studies in Humanities· Vol 9, pp. 825-830· 0 citations· 14 references
Abstract
This study examines how semantic and rhetorical strategies construct the theme of resilience in Taylor Swift’s “Shake It Off (Taylor’s Version).” Using a qualitative descriptive method grounded in Leech’s (1981) theory of meaning and Ullmann’s (1962) semantic theory, the study identifies fifteen data items drawn from the song’s verses, pre-choruses, chorus, interlude, and bridge. The data were analyzed for lexical and contextual meaning as well as for the rhetorical structures—repetition, parallel structure, contrast, metaphor, personification, reported speech, and direct address—that shape those meanings. The findings show that resilience in the song is constructed progressively: the speaker first acknowledges external judgment, then expresses persistence and internal reassurance, followed by declarations of independence and composure, and finally extends this resilience outward through direct address to the listener and a concrete narrative application. The study concludes that resilience in the song is not encoded in a single word but distributed across a network of lexical items and rhetorical devices that together construct an active, self-directed, and socially aware response to criticism. These findings contribute to the growing body of research on the semantic analysis of contemporary song lyrics as a form of resilience discourse.
This study aims to examine the spider imagery in Walt Whitman’s and Yuan Mei’s poetry through a New Historicist lens. It reveals the role this imagery plays in a cross-cultural dialogue on power and anxiety. By integrating Foucault’s “power discourse”, Greenblatt’s “cultural negotiation” and Althusser’s “symptomatic re...
Jia-Yi Wang, Jie Fang· Studies in Linguistics and L...· 0 citations
The framework that the researcher operates with in this study synergises narratology, critical discourse analysis, a naming-in-discourse-historical approach, and Stylistics to critique Nobody's Story (1854) by Charles Dickens. An analytical study specifically concerning Dickens' use of narrative voice and name-words, t...
Khalid Jabir Hani· International Journal of Soc...· 0 citations
This study explores how ecological and cultural complexity is addressed through the narrative structures of Hayao Miyazaki’s animated films. The paper examines how Miyazaki’s storytelling offers an alternative to the binary, reductionist frameworks that dominate Western narrative traditions. The analysis is grounde...
Sabrina Mahfouz’s
A History of Water in the Middle East
begins with a self-reflexive passage that establishes the play’s peculiar form, a lecture. Her choice of aesthetic frame and discussion of climate change resonate with an earlier such lecture play at the Royal Court, Stephen Emmott’s
Ten Billion
. Both aut...
This study examines the cognitive and rhetorical functioning of Qur’anic parables through an interdisciplinary “Bridge Framework” established between ʿAbd al-Qāhir al-Jurjānī’s theory of nazm and Lakoff and Johnson’s Conceptual Metaphor Theory. The study is based on the premise that Qur’anic parables should be regarded...
Ömer Faruk Demireşik, Ahmad Alalı· Dinbilimleri Akademik Araştı...· 0 citations
Purpose: This study examines the procedure and function of “exegetical critique” as it appears in selected texts by Marx. In particular, it focuses on how Marx reproduces and closely examines his interlocutors’ sentences, equations, definitions, and programmatic formulations, traces their connections and ordering, and...