The vocal music of each language carries a distinctive sonic identity, even without instrumental accompaniment. We ask whether these differences are measurable and traceable to specific phonemes. To tackle this question, we introduce phoneme-conditional analysis, which isolates the acoustic effect of typologically distinctive phonemes by comparing marker syllables against matched non-marker controls within the same song, holding singer, melody, and genre constant. Across nine typologically diverse languages and thousands of songs, we measure effects along five acoustic dimensions. Song-level profiles built from these effects identify the language of an unaccompanied vocal at 85.5% balanced accuracy in a nine-way classification with folds grouped by artist; whether the separability arises by accumulation of the phoneme-local effects themselves is left open. Our findings suggest that phonological structure leaves systematic and measurable traces in how each language is sung.
Despite the growing body of research on instrumental timbre semantics, the semantics of the singing voice remains notably underexplored—a striking omission, given its fundamental role in human communication and musical expression. Here, we model vocal timbre semantics across a range of musical styles through content an...
Lindsey Reymore, Theodora Nestorova, Jay Marchand Knight et al.· Music Perception: An Interdi...· 2 citations
The distribution of spoken word duration of English homophones is known to co-vary with frequency of use. This study investigates whether other aspects of the phonetic realization of homophones also differ. A series of quantitative investigations of 14,000 homophone tokens in American television news broadcasts reveale...
Yu-Hsiang Tseng, Mirjam Ernestus, L. ten Bosch et al.· 1 citation
Phoneme-level models transcribe or generate speech as a sequence of phonemes, the smallest sound units that distinguish words. These models enable fine-grained pronunciation control and understanding, yet often fail on input that does not match any single training language, such as speech alternating between two langua...
Moran Yanuka, Raja Giryes, Morris Alper· 0 citations
Vocal repertoires can differ in acoustic-event type accumulation and temporal organization, yet direct comparison is difficult because corpora use different native events and unequal amounts of sequence. We compare sperm whale codas, human speech phones, Bengalese finch syllables, and common marmoset calls using the sa...
Audio language models pass speech and text through a single decoder. We ask whether that decoder represents a distinctive feature in the same direction when a phoneme is heard and when it is read. For minimal pairs of phonemes differing in one feature, we take the offset between the two members'mean representations. Av...
Portamento use by classical singers and string players in recordings of
Ave Maria
by Schubert from two different time periods (1906–1931 and 1999–2020) is examined in this study to compare the presence of voice-mimicking characteristics in performances by cellists and violinists. Furthermore, an additional detailed...
Gabrielle Kaufman· String Research Journal· 0 citations
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