We introduce Fish Audio Drama 3, an open-source speech generation model that turns text into directed performances, built on a 35B-parameter mixture-of-experts backbone that activates 3B parameters per token. It clones voices from multiple references, follows natural-language direction, revises a take when the next turn gives a note, voices multi-character scenes, edits existing speech by infilling, and synthesizes long-form and streaming audio. Multi-turn revision, scene dubbing, editing by infilling, and streaming text input are new in Drama 3, all in one model. Drama 3 pairs the hybrid linear-attention backbone with a new codebook multi-token-prediction audio decoder that predicts the acoustic codebooks of each frame in dedicated layers that attend over the entire sequence. The model is trained with a three-stage pre-training recipe, instruction fine-tuning, and large-batch reinforcement learning whose only reward is a single learned model of human preference. Its inference engine decodes a single stream at 271 frames per second on one H200, against 177 for Fish Audio S2, although Drama 3 has more than seven times as many parameters. The model weights are available on GitHub (https://github.com/fishaudio/fish-speech) and Hugging Face (https://huggingface.co/fishaudio/drama-3), and inference is available through SGLang-Omni (https://github.com/sgl-project/sglang-omni). We highly encourage readers to visit https://fish.audio to direct their own performances.
We present Qwen-Audio-3.1-ASR, a family of audio-language models that builds upon its predecesor Qwen-Audio-3.0-ASR with improved speech recognition and expanded capabilities in speaker-diarized transcription and general audio understanding. The family retains support for 30 languages and 16 Chinese dialects, together...
Mizar, a 159.3M-parameter ALM, is introduced, a recipe that brings together architecture, data, and three-stage training to build Mizar, a 159.3M-parameter ALM that surpasses the previous best-performing ALM below 200M parameters on all three benchmarks.
AutoSynth, which represents MIDI performance events, fixed synthesizer parameters, and variable-length modulation routes as a unified sequence for a synthesizer, and learns their dependencies with an audio-conditioned autoregressive model, is presented.
Tristan Wu, Daniel Chin, Li-Wei Lin et al.· 0 citations
Large audio language models answer questions about speech, sound, and music, yet their accuracy drops sharply on tasks that need fine-grained acoustic analysis. Judging which of two speakers has the higher pitch demands iterative signal-level reasoning that a content question does not. Current models spend the same com...
This paper introduces Spark-Audio 1.0, a speech foundation model trained on domestically produced computing infrastructure. The model accepts text and speech inputs and generates text outputs. It supports multilingual (99 languages) and multi-dialect (202 dialects) speech recognition, speech translation, audio percepti...
Chen-Yue Zhang, Cong Liu, Ding-Shu Tian et al.· 0 citations
Recent advances in speech generation are shifting toward context-aware, multi-turn, and multi-speaker synthesis. While these capabilities are in high demand for applications such as audiobook and audio drama production, evaluation has not kept pace with these advances. Beyond traditional zero-shot Text-to-Speech (TTS),...
Jing-Bin Hu, Zi-Tao Yang, Xiao-Ge Peng et al.· 0 citations