This framework produces both a transformation embedding and a processed-audio embedding, and it finds that the two play complementary roles: distance-based tasks favor the former, while probe-based tasks favor the latter.
Abstract
Neural audio representation learning has enabled a range of content-oriented applications, but the resulting features remain limited for tasks involving audio processing. Furthermore, it is not obvious what processing-aware representations should capture: the processing itself, abstracted away from source content, or the processed audio that retains it. Existing approaches implicitly commit to one or the other and also differ in their models, data, and evaluation, obscuring which design choices drive their behavior. We address both questions within a unified framework of three objectives: processing consistency, description alignment, and equivariance via forward prediction. We compare all combinations of the objectives under a controlled setup and reveal their relative strengths and interactions. Our framework produces both a transformation embedding and a processed-audio embedding, and we find that the two play complementary roles: distance-based tasks favor the former, while probe-based tasks favor the latter. Combined with improvements in network architecture and training pipeline, our representations outperform prior baselines across retrieval, probe-based evaluation, and style transfer.
This work introduces TD-V2A, which leverages temporal differences (TD) as the key representation that distinguishes V2A from I2A, enriching visual conditioning with minimal architectural modification and significantly improves end-to-end V2A generation quality, even outperforming dedicated V2A representations such as c...
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RelFx is proposed, a contrastive learning framework that learns relative effect transformations from general audio collections without requiring dry references during representation training, and demonstrates state-of-the-art performance under the standard Fx-Encoder++ MUSDB18 evaluation protocol.
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To learn a representation of parameters including their signal routing, a graph neural network is designed whose message passing structure imitates FM signal processing, supporting the claim that imitating FM signal flow in a parameter encoder improves generalization to unseen topologies.
This paper provides an evaluation and design framework for comparing representation-model pairs and shows that RVQ's residual order gives ordered capacity but not ordered semantics, and that AudioLM's semantic-versus-acoustic cascade is one explicit placement of this boundary rather than a universal template.
Aether is introduced, a simple plug-in method that applies diffusion-style random perturbations in the embedding space via controlled alpha-mixing, specifically designed to provide isotropic regularization that remains semantically consistent.
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Universal audio representations must preserve acoustic detail while making high-level concepts accessible across speech, music, environmental sound, and downstream models of different capacities. We study semantic refinement of an acoustically pretrained encoder by adding audio-description alignment to a foundation of...
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