Theater between art and

The Doctrine of One

This volume is a bold and original meditation on how we interpret art, music, and culture—and what it means to listen, see, and feel differently from others. Drawing on Czech history and aesthetics, the book moves from filmmaker Hugo Haas’s coded tributes to his murdered brother, to the haunting ex libris designs of Jo...

Պարային տեսարանների դերն ու նշանակութիւնը Ալմաստ եւ Անուշ օպերաներում

The paper draws parallels between the operas of Salomé by Richard Strauss and Almast by Alexander Spendiaryan, and analyses the dance scenes in both these operas as well as Armen Tigranyan's Anush opera. Basically it focuses, however, on the heroines in Salomé and Almast, and argues that their theatrical performance wa...

Editorial

Confession

Abstract:What is the question of autofiction: Is it true, or is it a good story? Does it matter? Or do we not, in fact, find the speculation to be its own bloodsport? Perhaps the collapse between the two is what interests us most. Autofiction is a widely misunderstood genre: work that typically employs an avatar of the...

Language as Art

The article examines, from a scholarly perspective, the aesthetic nature of language and its dialectical relationship with other forms of art. The author considers language not only as a grammatical system or a means of communication, but also as a special artistic object that reflects the spiritual world of the indivi...

Գրական եւ տեսաբանական հայեացքների մեկնութեան փորձ (Թումանեանի նամակների հետքերով)

Hovhannes Toumanian's letters cover diverse aspects of literary arts and criticism, form vs. content, characters, linguistic tricks, his views on different authors, his approaches and understanding of different genres of literature, the messages he conveys, etc. This paper, however, highlights the literary and theoreti...