This paper presents the design and mathematical formulation of AudioTQ, a data-oblivious lossy audio codec that operates directly in the time domain and details the bitwise reconstruction of 24-bit studio stems, analyze the butterfly network of the FWHT, derive the mathematical failure modes under sparse inputs, and presents benchmarks.
Abstract
Lossy audio compression algorithms traditionally rely on psychoacoustic modeling and frequency-domain representations (e.g., MP3, AAC, and Opus) to discard information that is imperceptible to the human auditory system. While highly effective, these approaches are computationally complex and domain-specific. In this paper, we present the design and mathematical formulation of AudioTQ, a data-oblivious lossy audio codec that operates directly in the time domain. Inspired by Large Language Model (LLM) weight quantization techniques (specifically the TurboQuant framework), AudioTQ uniformizes volatile time-domain amplitudes into a predictable standard normal distribution using an orthonormal, randomized Fast Walsh-Hadamard Transform (FWHT) rotation. This enables coordinate-wise scalar quantization using an offline-trained, MSE-optimal 6-bit Lloyd-Max quantizer, augmented by a 1-bit Quantized Joint Least-Squares (QJL) residual correction layer. The resulting 7-bit virtual indices are packed into native 8-bit containers, aligning with standard CPU register boundaries to ensure real-time single-threaded execution without hardware parallel accelerators. We detail the bitwise reconstruction of 24-bit studio stems, analyze the butterfly network of the FWHT, derive the mathematical failure modes under sparse inputs, and present benchmarks showing up to 74.4% physical size reduction alongside a Signal-to-Quantization-Noise Ratio (SQNR) of ~30 dB.
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