Aesthetics of resistance: Art as a means of challenging dominant narratives

Abstract

This article explores the use of art as a tool for resistance, and for contestation of dominant social and political narratives. The theoretical framework of art as counter-narrative is constructed through literature review of art as activism and resistance. The paper analyze works of art and the social contexts surrounding them. Three case studies of modern African artists are then examined that all challenge the dominant narratives of African history, identity and colonial/post-colonial experience through the medium of their art. El Anatsui (Ghana) is mentioned for his monumental installations created from recycled bottle caps; a monument to the reclaiming of African agency and narratives. The South African artist William Kentridge is also analyzed for his politically engaged animated films and drawings that challenge apartheid history. Lastly, the works of Ethiopian artist Tadesse Mesfin are discussed, which question the western stereotype of the African woman through painting. There are some commonalities across these case studies in terms of reappropriation, subversion and providing a voice to marginalised communities. In this paper, the discussion section explores the aesthetic practice of resistance as a mode of contestation of hegemonic discourse and a way of producing alternative representations of Africa and African identities in these artists' works. This research helped to shed light on art as a medium for activism and to change hegemonic social interpretations.