Oct 2026· Sinergi· Vol 30, pp. 1087-1100· 0 citations
Abstract
Cultural heritage crafts in a digital world are often characterized by the tension between technological effectiveness and the preservation of cultural identity and values. Despite growing interest in digital manufacturing technologies, limited empirical evidence exists regarding how production tasks can be allocated between automation and manual craftsmanship while maintaining both efficiency and cultural authenticity. This study explores such tensions in the context of Minangkabau wood carving, a traditional craft facing pressure from market forces, declining apprentice training, and increasing demands for scalability. The objective was to investigate how digital manufacturing tools could be integrated into this existing cultural practice without compromising its authenticity. A sequential explanatory mixed-methods approach was employed, combining socio-cultural data from surveys and interviews with 17 master craftsmen, and a technical comparison of hand-carving, CNC-based V-carving, and 3D carving. Results indicated that artisans strongly resisted full automation but were conditionally open to hybrid manufacturing systems aligned with cultural values. Technically, CNC V-carving reduced fabrication time by 66–82% and costs by up to 43%, particularly in the simple patterning phase. However, hand-carving was consistently judged superior in fine detail, surface characteristics, and perceived cultural authenticity. This study synthesizes these findings into a stage-based hybrid socio-technical production model, wherein digital tools are employed for repetitive and scalable tasks, while human craftsmanship remains central to artistic refinement and cultural expression. The findings provide empirical support for task allocation decisions in heritage-based manufacturing systems and identify cultural fit as a major determinant of perceived usefulness in digital transformation. While the study offers valuable insights, its focus on a specific cultural context and relatively small sample suggests caution in broader generalization.
Sri Lanka’s tradition of wood craftsmanship represents a significant form of indigenous cultural knowledge, encompassing artistic techniques, design vocabularies, and spatial aesthetics
transmitted across generations of artisans. This heritage faces erosion as local craftspeople encounter barriers in communicating thei...
S. Fitzroy, S. Walgampaya, I. C. Gallage· Proceedings of the Annual In...· 0 citations
The traditional craft sector in Malaysia is a significant nexus of entrepreneurship, artistic expression, cultural legacy, and regional economic growth. The knowledge and skills passed down through the generations are embodied in traditional crafts like batik, songket, weaving, wood carving, ceramics, metalworking, rat...
Siti Nur Izaura Bt Mohd Razis· International journal of res...· 0 citations
George Town, Malaysia, a UNESCO World Heritage Site, is often discussed through its architectural legacy and histories of trade and migration. Drawing on ethnographic fieldwork among Chinese artisans, this study examines how cultural identities are produced through everyday craft practice in the context of urban transf...
Niao Xu, N. Bakhir· Wacana Seni Journal of Arts...· 0 citations
Atlas silk is a traditional silk-based intangible cultural heritage (ICH). Its digital communication faces challenges such as limited public awareness, fragmented cultural information, and the separation of cultural products from their cultural narratives. This study explores how external near-field communication (NFC)...
Long-Fei Li, Jia-Xuan Li, Yi-Ming Yang et al.· Advances in Social Science a...· 0 citations
How can cultural attractions that invest similarly in digital technologies arrive at such different outcomes? We address this question by turning to regional culture. Grounded in dynamic capabilities theory and service-dominant logic, this study investigates how Qilu cultural genes, a regional cultural tradition rooted...
Lu-Lu Xu, Tara Ahmed Mohammed· Journal of Social Science an...· 0 citations
The rapid development of digital media has transformed how regional cultural heritage is represented, circulated, interpreted, and experienced. For place-based intangible cultural heritage, digitalization creates new opportunities for cultural communication and public participation, while also generating challenges con...
Bo-Yi Zheng, Ke Zhao· Advances in Social Science a...· 0 citations
We use cookies to run the site and, with your consent, for analytics and to show ads.
See our Cookie Policy.