TWO-MEMBER SUBSTANTIVE SENTENCES AS EXPRESSIVE MARKERS OF HANNA SABLUK’S POETIC DISCOURSE

Abstract

The purpose of the article is to analyze two-member substantive sentences as an expressive marker of Hanna Sabluk’s poetic idiolect, to identify the peculiarities of their syntactic nature as well as their ability to verbalize the author’s intentions in constructions whose predicative center is formed by nouns in the nominative singular or plural case. Based on extensive illustrative material, the functional range of substantive sentences has been determined, including nominative-identificational, metaphorical-identificational, evaluative-identificational, associative-imagery, and aphoristic-generalizing functions. These constructions ensure the rhythmization of poetic text, highlight its semantic centers, contribute to the concentration of meaning, enable the identification of objects and phenomena, facilitate the transmission of complex associative relations, and promote the creation of vivid artistic images. From the perspective of parametric analysis, it has been demonstrated that these constructions ensure predicative compression of utterances, enhance their expressiveness, and model the author’s individual worldview, in which concrete-imagery and abstract-philosophical levels of linguistic thinking are integrated. Conclusions. It has been substantiated that in Hanna Sabluk’s poetic idiolect, substantive constructions [N₁ cop₀ N₁] serve as one of the defining features of her individual authorial style, representing a specific model of artistic cognition based on syntactic compression, semantic condensation, and predicative identification. Through these constructions, the poet verbalizes her system of values and worldview, in which complex philosophical and emotional meanings are embodied in a concise artistic form.