Aug 2026· Journal of Language, Literature & Social Affairs· Vol 2, pp. 39-44· 0 citations· 11 references
Abstract
The objective of this research to find answer of the question of how gender, migration and identity intersect in the Kamila Shamsie’s Salt and Saffron and Saadia Faruqi’s Brick Walls using the perspective of feminist diaspora. Female writers manage to interpolate complex frameworks of women negotiating through the diasporic territories which are characterized by cultural hybridity, dislocation and changing conceptualizations of home and belonging. Using the feminist diaspora theory and postcolonialism, the paper looks at the way females of the protagonist challenge patriarchy without the negotiation of cultural and national identities in transnational settings. Salt and Saffron describes the psychological disintegration and cultural alienation of the diasporic women, whereas Brick Walls places emphasis on the everyday life and strength of the female characters living between the traditions of their ancestors and the diasporic modernity. In a comparative textual analysis, the study shows the workings of the gendered experiences of migration affecting diasporic identity and refuting exceptionless narratives of Western feminism and conformity of South-Asian cultures. The results highlight that female agency, memory and voice are significant to rethinking diasporic belonging through the lens of Pakistani feminism.
The experiences of women in diasporic literature often reveal the intricate relationship between migration, gender, identity, and cultural negotiation. Jhumpa Lahiri's The Namesake (2003) offers a nuanced portrayal of South Asian immigrant women whose lives are shaped by physical displacement and psychological transfor...
T. Silpa, Sagili Satyam· International Journal of Eng...· 0 citations
T.S. Eliot’s The Waste Land (1922) is a landmark modernist poem that represents the cultural, spiritual, and social barrenness of the post-World War I world through images of decay, fragmentation, isolation, and disintegrating human relationships. Alongside this broader civilizational crisis, Eliot presents female figu...
M. Kaur· Shodh Sari-An International...· 0 citations
This paper examines the representation of gender and social change in Razinat Mohammed's Habiba andMaryam Awaisu's The Thing About Compromise, focusing on how both novels construct female agencywithin the socio-cultural realities of contemporary Northern Nigeria. While existing scholarship hasextensively explored theme...
Aishatu Abdulsalam, Terhemba Shija, M. Nder· International Journal of Art...· 0 citations
This article examines the cultural representation of women in contemporary India through the metaphor of the “mirror” and the “mask.” The mirror denotes the capacity of cultural texts to reflect social relations, while the mask refers to their capacity to naturalise, simplify, or conceal unequal relations of gender, ca...
Nagma Begum· RESEARCH REVIEW Internationa...· 0 citations
Palestinians in exile have long navigated the physical and emotional complexities of displacement. They occupy a distinctive space between the inherited memory of ancestral homeland and the lived transnational realities in exile. This article aims to examine the dynamics of homecoming and the construction of identity a...
E. Alwuraafi· Cankaya University journal o...· 0 citations
Contemporary migration narratives frequently unsettle the assumption that movement from one country to another produces a simple transition from one stable identity to another. Migration may alter family relations, racial classification, language, cultural practice, and the meaning of home. This article examines these...
Yuvasree P· Asian Journal of Research Sc...· 0 citations
We use cookies to run the site and, with your consent, for analytics and to show ads.
See our Cookie Policy.