It is argued that musical significance in ML-based instruments can emerge through duration, care, and collective intervention rather than virtuosic immediacy, arguing that musical significance in ML-based instruments can emerge through duration, care, and collective intervention rather than virtuosic immediacy.
It is concluded that exposing the data provenance and generative processes of AI systems can help transform them from opaque tools into intelligible musical partners and that transparency is an important design factor for creative agency in intelligent instruments.
This article examines what happens when emotional-inference algorithms are embedded as compositional tools within live performance systems rather than deployed as external classifiers. Through analysis of the Transmodal Emotional Amplification Listener (TEAL), a real-time multimodal system developed by the author for...
Musical Audio Gesture Recognition (AGR) is a Max-based workflow for turning rehearsal-time audio gestures into programmable performance actions. Rather than treating recognition as a fixed classifier inserted into a finished composition, AGR keeps gesture vocabulary design, dataset capture, feature representation, mode...
Hongshuo Fan· Proceedings of the 14th ACM...· 0 citations
This paper examines how multimodal mapping can function as a collaborative methodology in real-time audiovisual performance. It explores how functional codependency and real-time risk create bonds between artists, becoming fundamental narrative and dramaturgical vectors, and revealing the aesthetic influence of the t...
Roberto Alonso Trillo, Peter A. C. Nelson, Kratika Jain· Organised Sound· 0 citations
The hypothesis is that control and agency is distributed by machine learning’s algorithms, in which designer and performer, have to navigate through the feedback system made of gestures, latent space and spatialized sound.
Pablo Mollenhauer, Alejandra Pérez Núñez· 0 citations
Most music-generation systems are still framed and evaluated primarily as producers of complete outputs, whereas composition often proceeds through successive revisions to a shared musical artifact. This paper studies a different use of a general-purpose instruction-following large language model: not as a one-shot mus...
A. Fernandes, Jean-Pierre Briot, S. Barbosa et al.· 0 citations
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