The article introduces a neorhetoric classification of e-discourse as non-oral and non-written, depending on the communicative purpose or sphere, which means that the typology relies on extralinguistic grounds: verbal art, media, everyday communication, etc.
Abstract
The report discusses the spheres, styles, and genres of digital neorhetoric against the background of various approaches to digital rhetoric in contemporary literary studies. E-speech is a spontaneous form of e-discourse that follows neither the rules of oral nor of written speech, involves graphics, and demonstrates a specific punctuation, vocabulary, and syntax. The vocabulary consists of substandard urban vernacular with elements of general jargon and frequent obscenities, which makes communication hyperemotional and evaluative. At the rhetorical level, such discourse is intertextual (collective authorship), ironic, and aggressive. Traditional stylistic concepts are inapplicable since this discourse is at the intersection of various spheres of communication. The article introduces a neorhetoric classification of e-discourse as non-oral and non-written, depending on the communicative purpose or sphere, which means that the typology relies on extralinguistic grounds: verbal art, media, everyday communication, etc. Some of the genres discussed are totally new, while others are digitally modified traditional genres. From a sociolinguistic perspective, virtual communication has a different stratification and principles of group communication. Netiquette is different from offline etiquette, but a violation of e-politeness may lead to a ban on communication. From a psychological perspective, e-communication is both personal and public, which affects media socialization.
This paper explores the relationship between the essay and the column—two forms
that share important stylistic and conceptual affinities, but differ in several structural
and functional aspects. Although the essay is the older and more established form,
attempts to define it have proved inconclusive. From Montaigne’s i...
S. Janjić· Zbornik radova Filozofskog f...· 0 citations
In linguistic analysis, literary discourse is regarded as a domain that reveals the developmental potential and trajectory of a national language. An author’s style is not merely a reflection of the use of established linguistic norms; rather, it functions as an influential model that revitalizes, consolidates, or tran...
A. Aldash, A. Irgatoğlu, Oğuz Yurttadur et al.· Theory and Practice in Langu...· 0 citations
The article examines the main characteristics of the debatable categories of contemporary linguistics, namely the media narrative and the grand narrative. Particular emphasis is placed on the definitional content of these contested concepts, viewed through the prism of innovative linguistic approaches, including media...
D. Syzonov· Opera in linguistica ukraini...· 0 citations
Is a literary text an act of communication, and if so, how does it work? Relating works of literature to everyday utterances, this book focuses on the relationship between meaning and language in literary works. It uses an influential theory from linguistic pragmatics, relevance theory, to reveal a connection between l...
Considering the multiple possibilities of linguistic and literary analyses, the present research aims to explore, in the light of stylistics, the expressive resources present in the works Revoltoso Ribamar Palmeira (1978) and CristóVÃO Cristo: Imitações (1976), written by the Caxias author Adailton Medeiros. Amid a his...
Rauenas Silva Oliveira, Beatriz Gomes Viana, Sabrina Araújo de Aparecida et al.· Revista de Estudos Interdisc...· 0 citations
ABSTRACT How to approach the convergence between digital and humor? From this general problem and based on the French Discourse Analysis, we seek, in this article, to analyze some examples and make some considerations in this regard. We selected 12 examples of humorous texts published on the web, selected between Octob...
C. R. Muniz, Sírio Possenti· Bakhtiniana: Revista de Estu...· 0 citations
We use cookies to run the site and, with your consent, for analytics and to show ads.
See our Cookie Policy.