This work replicates the representational core of that study on the base pretrained model google/gemma-2-27b, inheriting every disclosed parameter, resolving unspecified steps by disclosed rules, and changing only the subject model.
Abstract
Sofroniew et al. (2026) report that emotion concepts in Claude Sonnet 4.5 are represented as vectors whose geometry mirrors human affect psychology. We replicate the representational core of that study on the base pretrained model google/gemma-2-27b, inheriting every disclosed parameter, resolving unspecified steps by disclosed rules, and changing only the subject model. From 205,200 newly generated Claude Sonnet 4.5 stories matching the original corpus design, we extract 171 emotion vectors and recover the core results. The leading principal components form an affective circumplex (PC1 carries 26.7% of variance against the original study's ~27%, PC2 13.4% against ~14%), emotions cluster into similar intuitive families, and the geometry holds across a broad late-middle band. The valence axis aligns with human norms (r = 0.72, against 0.81) and is stable across scales and depth. Arousal aligns at r = 0.67 (against 0.66) but only at the full 171-emotion scale and late depth, so we do not classify it as replicated. Extending the original analysis, a 46-layer sweep locates a sharp seam at L22-26, where the geometry consolidates and the vocabulary readout becomes legible. An embedding-layer baseline finds much of the geometry already present in the static token embeddings, with arousal as the exception. On top-activating held-out text, the geometry predicts token-level co-activation at r = 0.907. At least 52% of vectors peak on structurally non-conceptual tokens, a measured floor for max-activation confounds. Even when a document contains the vector's emotion word, the peak lands on that word only 6.1% of the time. Because the subject is a base model and the stimuli are Claude-generated fiction, the recovered structure is a property of the pretrained representation of Claude-rendered emotion. The original's causal and assistant-facing analyses are out of scope. Code and data are released.
It is shown that cross-provider anisotropy differences vanish under mean-centring, that per-language token costs change sign with the normalising unit, and that multi-view row-wise splits inflate macro-F1 by $3.1$ points and change the top-ranked system.
The Emotional Impression of Spaces (EMOIS) dataset, comprising 1,544 real-world built-environment images, is introduced, and it is revealed that valence exhibited stronger and more coherent organization than arousal.
Madoka Yonekura, Katsunori Kohda, Nobuhiko Muramoto et al.· 0 citations
A century of psychology has found that the trait words people use to describe one another vary, but the relational structure among those traits, which ones go together and which oppose, is strikingly consistent across raters and cultures. We test whether the LLM (Qwen 2.5-7B-Instruct) reproduces this structure in its i...
Yi-Lin Geng, Omri Abend, Eduard H. Hovy et al.· 0 citations
Affective computing has progressed from categorical emotion recognition to open-ended affective analysis with large multimodal models. Yet affective science describes emotion as an unfolding process shaped by appraisal, regulation, and social interpretation, which remains underexplored computationally. We propose TRACE...
Generative design interfaces increasingly expose semantic controls that let users steer output with concepts such as"more elegant"or"more minimalist,"typically encoded by a vision-language model (VLM). A practical question is whether state-of-the-art VLMs represent objects consistently in terms of the same concept. We...
Luca Bux, Thiago Rios, Ingo Scholtes et al.· 0 citations
Machine-learning networks can learn without detailed instructions from a designer. Those that do may offer insight into how the brain reorganizes itself during learning.
MIT News · Artificial Intelligence· news.mit.eduSep 29, 2026
Professor Sherry Turkle’s new book, “Artificial Intimacy,” offers a withering critique of chatbots and the antisocial dynamics she believes they encourage.