2025· Phenomenology and Mind· Vol 29, pp. 162· 0 citations
Abstract
This paper intends to provide some historical and philosophical insights to reflect upon the enduring impact of group experiences which, since the post-war period, have constituted an important peculiarity in the landscape of contemporary arts. We will reconstruct some of the reasons that have led artists to seek new paths of subjectivation through collective creation: moving across the technological experimentation of the groups of the 1960s, the political militancy of the collectives of the 1970s, the format of the artistic acronym of the 1980s and the new possibilities opened up by the Net in the 1990s, we will retrace the deconstruction of the romantic mythology of the author, as it has traditionally been consolidated. By emphasizing shared creative processes, these practices propose innovative models of identity and subjectivity that transcend individual boundaries and reflect the complex interplay of technology, politics, and social interaction in contemporary art.
This research examines the reception of J. H. Pierneef’s art in Afrikaner press articles between 1912 and 1938 to
shed light on the interpretation of his depictions of the South African landscape as social and political symbols of identity and
entitlement amid emergent Afrikaner nationalism. The research investigat...
Maricel Botha· Journal of Language and Poli...· 0 citations
This article explores the ruler archetype as a key element of political mythology, represented in contemporary Russian art. The relevance of this work stems from the need to analyze the underlying, non-rational mechanisms of power legitimization and the construction of collective notions of leadership, which are convey...
T. E. Gribakina, A. E. Isaev· Abyss (Studies in Philosophy...· 0 citations
This paper explores the literary phenomenon that reflects the collective mentalities of the peoples of Uzbekistan and Russia, focusing on how literature has served as a mirror to the cultural, social, and historical identities of these nations. Through an analysis of key literary works, the study examines how writers f...
Kalonova Nargiza Nurzhovovna· The American Journal of Soci...· 0 citations
The paper examines the role of the art market in the construction of national identity in interwar Croatia. It explores how collecting practices and the promotion of selected artists contributed to the formation of a canon of “national” art during a period of profound political and cultural change. By analysing the int...
This article explores the use of art as a tool for resistance, and for contestation of dominant social and political narratives. The theoretical framework of art as counter-narrative is constructed through literature review of art as activism and resistance. The paper analyze works of art and the social contexts surrou...
Francis Ankyiah, Fredrick Bamfo· Frontiers in Research· 0 citations
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