Aug 2026· Academic Journal of Management and Social Sciences· Vol 17, pp. 8-15· 0 citations· 11 references
TL;DR
This model breaks the limitations of one-way dissemination of traditional culture, opening up a complete closed loop from cultural cognition to inheritance and co-creation, providing theoretical reference and practical paths for experience design in cultural heritage inheritance in the digital age.
Abstract
The iterative upgrade of digital technology has provided a new carrier for the living inheritance of excellent traditional Chinese culture. Digital art, with its interactive, immersive, and co-creative characteristics, has become a core bridge connecting the cultural core and the public experience. Currently, digital cultural products generally suffer from pain points such as a disconnect between content and technology, superficial experience levels, and broken inheritance links, making it difficult to achieve deep transmission and living continuation of cultural values. This paper takes user experience as the core and precise anchoring of the cultural core as a premise, constructing a four-dimensional full-link experience design innovation model of "cognition-empathy-participation-co-creation." It clarifies the design goals, digital art application forms, and implementation strategies at each level, and completes practical verification using traditional mortise and tenon joinery as an example. This model breaks the limitations of one-way dissemination of traditional culture, opening up a complete closed loop from cultural cognition to inheritance and co-creation, providing theoretical reference and practical paths for experience design in cultural heritage inheritance in the digital age.
In the context of the globalization of the digital cultural and creative industry, modern character design, as a core carrier of cultural IP, has become an important path for the cross-cultural dissemination of traditional art. Current academic and industry practices largely remain at the level of superficial appropria...
Zheng-Yang Yu, Xing-Han Tian· Academic Journal of Manageme...· 0 citations
The living inheritance of intangible cultural heritage urgently needs to break through the limitations of museum-style static display, and digital stage art provides an immersive and interactive modern expression path for it. Currently, there is a widespread problem of technological lag and cultural superficiality in s...
Zhi-Qiang Li, Zi-Jia Li· International Journal of Mob...· 0 citations
The Qiang New Year festival, a core intangible cultural heritage (ICH) of China’s Qiang ethnic group, faces an existential crisis due to accelerated modernization and intergenerational discontinuity. This study explores a preservation pathway integrating embodied virtual reality (VR) ethnography with community-based...
Yuan-Fei Yan, N. Bakhir· Frontiers in Virtual Reality· 0 citations
Guided by cultural confidence, traditional inheritance and immersive digital practice, Chinese-style aesthetic education enables the innovative digital transformation of intangible cultural heritage (ICH). As a typical southwestern Chinese ceramic ICH, Rongchang Pottery bears distinctive regional culture, craft aesthet...
Shi-Han Shen, Siti Salmi Jamali, A. Husain· International journal of com...· 0 citations
Digital technology promotes intangible cultural heritage from “static protection” to “living innovation,” but colleges and universities still face triple obstacles—superficial resources, curriculum fragmentation, and practice homogeneity—when using digital intangible cultural heritage to collaboratively improve aesthet...
You Li, Xue Liu· International Journal of Kno...· 0 citations
Animation has become an important carrier of traditional culture to realize contemporary expression. There are some problems in some animation creations, such as the disconnection between cultural symbols and narrative logic, and the single communication goal. Based on this, the translation process of traditional cultu...
Han Zhu· International Journal of Edu...· 0 citations
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